The franchise’s patented car chases feel locked on rails compared to the utter chaos of Bad Boys II.
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Though Belgian directing duo Adil El Arbi and Bilall Fallah mimic Bay’s sweeping camera moves, their action scenes have the scale of television. True to the series, before anything gets too serious, Smith spits back a one-liner, a machine gun unloads at their window, and Lawrence squeals like a maniac. Or, if they do, they need to know why they’re doing it. But now, he really has a point! Maybe Marcus shouldn’t bail from his wife’s spa day to solve a murder, and Mike shouldn’t weave his gold minivan through busy freeway streets at 90 mph in order to bust an arms deal. Marcus has always been the angel in the devil’s passenger seat, begging Mike to take his foot off the gas while in hot pursuit of criminal goons. But the aging humor is unexpectedly heartwarming as well. The bits are sitcom-y - Marcus ribbing Mike for dyeing his goatee, then later doing the same as his buddy lies banged up in the hospital, is a goofy pleasure. With the mantra of “we ride together, we die together” thrown out the tinted power window, both men set out on roads of self-discovery, and Joe Pantoliano, as their old chief, screams uproarious amounts of profanity, as God intended.Īt times, Bad Boys for Life has the gait of a straight-to-Netflix reunion movie. Except for our heroes: Mike is recovering from his injuries and banned from investigating his own case, and Marcus took his friend’s bullet wounds as a sign to retire.
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When the son of a Mexican cartel boss targets Mike and several other law enforcement officers throughout Florida, cops old and new take to the streets to crack the case. By reuniting a pair we haven’t seen on screen in nearly 17 years, Bad Boys for Life becomes Once Upon a Time … in Hollywood for ’90s action comedies. The days of running, jumping, and plowing a Cadillac CTS through a hurricane of corpses are mostly over. Marcus is more aware of his mortality than ever before.
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Women at the clubs don’t look their way (mostly because they’re over 30 years old and hanging out at clubs). But instead of pretending the pair are Miami’s answer to the Expendables, screenwriters Chris Bremner, Peter Craig, and Joe Carnahan reflect on the characters’ place in the shoot-’em-up cosmos.Ī new generation of cops aims to replace their off-the-books detective work with HR-approved tactics. Smith, 51, and Lawrence, 54, are, in the immortal words of Lethal Weapon’s Roger Murtaugh, too old for this shit.
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What would once have been a montage of roadsters and machine-gun fire is now a cross-cutting gag of Mike’s across-the-line info-gathering tactics and Marcus in full recline.
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But with a new grandson, a loving marriage, and the weight of old(er) age keeping him down, Marcus feels less Bad Boy than La-Z-Boy. Mike Lowery ( Will Smith) is hot on the trail of a motorcycle-driving assailant who gunned him down mid-wheelie, and he could probably use Marcus’ help. A third of the way into Bad Boys for Life, the trilogy-capper of Michael Bay’s hyperkinetic, hyper-saturated action franchise, Martin Lawrence’s Marcus Burnett takes a nap.